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533 documents | 533 pages
Début
Précedent
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[350]
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Suivant
Fin
Topic :
Audience
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Bamboo beating 笞杖
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Benches, beds and barrels
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Cage 籠
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Cangue 枷

Chains and ropes (outdoor)
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Cutting at the waist 腰斬
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Decapitation 斬刑
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Deportations 徒流軍遣

Execution ground and around
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Executioners 劊子手
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Heads exposed 梟示
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Hell 地獄

Judicial Torture 拷問
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Judiciary
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Lingchi 凌遲
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Miscellaneous

Police and arrests
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Portrait
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Press and squeezers
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Prison and fetters

Slaps
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Strangulation 絞刑
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Supplice (esthetic representation of)
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Torture tools 刑問具

Undefined
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Various cruelties


Copyright: Turandot

ID: 350
Ressource_Provider: Jérôme Bourgon
Title: Lingchi in Berthelot.
DocumentNature: Engraving
Repository: Turandot
Page_number: 293
Color: Black and white
Caption: LA FIGURE D'UN SUPPLICIÉ PENDANT LE SUPPLICE
Pour ménager la sensibilité de nos lecteurs, nous ne reproduisons que le visage - étrangement extatique - d'un criminel auquel on est en train de faire subir l'épouvantable supplice des "Cent Morceaux". Déjà, on lui a désarticulé les jambes, coupé les bras, arraché les chairs de la poitrine, et il sourit, dans l'ivresse de l'opium.
Particulars: This pictural interpretation of a photograp is the origin of all the comments that read "ecstatic joy" on the face ot the tormented Chinese, Georges Bataille being the most famous. This is very likely the picture contemplated by Catherine Crachat, in the novel by Pierre-Jean Jouve.
Topic: Portrait
Keyword: lingchi, face

Bibliography
  1:Name: BERTHELOT, Philippe Les supplices en Chine
  2:Name: Jouve, Pierre-Jean Vagadu, in Œuvres complètes, II,

Related Textual (2)

1  Title: Les supplices en Chine
    Ressource_Provider: Jérôme Bourgon
    Internal_Type: OCR

2  Title: Reading Lingchi physical damage on the tortured face
    Ressource_Provider: Jérôme Bourgon
    Internal_Type: OCR

Related Replication (1)

1  Ressource_Provider: Jérôme Bourgon
    Title: Reading "ectstatic Joy" on a tormented face
    Information: The picture published in Berthelot's article, "Les supplices chinois", settled the common belief that people suffering lingchi paradoxically resented "ecstatic joy". This greatly influenced various authors, the most famous being Bataille. A comparison between the picture and the photograph shows that this interpretation was determined, in fact, by cliched representations of Christian martyrs (here St Sebastian), which were superiimposed on an indecidable expression. The spanish painter Solana, though expressly influenced by Christian iconography (El Greco), shows not "joy" nor "ecstasis" in his Suplicio Chino, however.

Related VisualSet (1)

1  Title: Les supplices en Chine
    DocumentNature: Book illustration


Derniére modification le : 2006-05-04

 
  Directeur éditorial: Jérôme Bourgon / IAO: Institut d'Asie Orientale
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